does not modify the Epeira's talent in any essential feature. As the young worked, so do the old, the richer by a year's experience. There are no masters nor apprentices in their guild; all know their craft from the moment that the first thread is laid. We have learnt something from the novices: let us now look into the matter of their elders and see what additional task the needs of age impose upon them.

July comes and gives me exactly what I wish for. While the new inhabitants are twisting their ropes on the rosemaries in the enclosure, one evening, by the last gleams of twilight, I discover a splendid Spider, with a mighty belly, just outside my door. This one is a matron; she dates back to last year; her majestic corpulence, so exceptional at this season, proclaims the fact. I know her for the Angular Epeira (Epeira angulata, WALCK.), clad in grey and girdled with two dark stripes that meet in a point at the back. The base of her abdomen swells into a short nipple on either side.

This neighbour will certainly serve my turn, provided that she do not work too late at night. Things bode well: I catch the buxom one in the act of laying her first threads. At this rate my success need not be won at the expense of sleep. And, in fact, I am able, throughout the month of July and the greater part of August, from eight to ten o'clock in the evening, to watch the construction of the web, which is more or less ruined nightly by the incidents of the chase and built up again, next day, when too seriously dilapidated.

During the two stifling months, when the light fails and a spell of coolness follows upon the furnace-heat of the day, it is easy for me, lantern in hand, to watch my neighbour's various operations. She has taken up her abode, at a convenient height for observation, between a row of cypress-trees and a clump of laurels, near the entrance to an alley haunted by Moths. The spot appears well-chosen, for the Epeira does not change it throughout the season, though she renews her net almost every night.

Punctually as darkness falls, our whole family goes and calls upon her. Big and little, we stand amazed at her wealth of belly and her exuberant somersaults in the maze of quivering ropes; we admire the faultless geometry of the net as it gradually takes shape. All agleam in the lantern-light, the work becomes a fairy orb, which seems woven of moonbeams.

Should I linger, in my anxiety to clear up certain details, the household, which by this time is in bed, waits for my return before going to sleep:

What has she been doing this evening? I am asked. Has she finished her web? Has she caught a Moth?

I describe what has happened. To-morrow, they will be in a less hurry to go to bed: they will want to see everything, to the very end. What delightful, simple evenings we have spent looking into the Spider's workshop!

The journal of the Angular Epeira, written up day by day, teaches us, first of all, how she obtains the ropes that form the framework of the building. All day invisible, crouching amid the cypress-leaves, the Spider, at about eight o'clock in the evening, solemnly emerges from her retreat and makes for the top of a branch. In this exalted position, she sits for some time laying her plans with due regard to the locality; she consults the weather, ascertains if the night will be fine. Then, suddenly, with her eight legs wide-spread, she lets herself drop straight down, hanging to the line that issues from her spinnerets. Just as the rope-maker obtains the even output of his hemp by walking backwards, so does the Epeira obtain the discharge of hers by falling. It is extracted by the weight of her body.

The descent, however, has not the brute speed which the force of gravity would give it, if uncontrolled. It is governed by the action of the spinnerets, which contract or expand their pores, or close them entirely, at the faller's pleasure. And so, with gentle moderation she pays out this living plumb-line, of which my lantern clearly shows me the plumb, but not always the line. The great squab seems at such times to be sprawling in space, without the least support.

She comes to an abrupt stop two inches from the ground; the silk-reel ceases working. The Spider turns round, clutches the line which she has just obtained and climbs up by this road, still spinning. But, this time, as she is no longer assisted by the force of gravity, the thread is extracted in another manner. The two hind-legs, with a quick alternate action, draw it from the wallet and let it go.

On returning to her starting-point, at a height of six feet or more, the Spider is now in possession of a double line, bent into a loop and floating loosely in a current of air. She fixes her end where it suits her and waits until the other end, wafted by the wind, has fastened its loop to the adjacent twigs.

The desired result may be very slow in coming. It does not tire the unfailing patience of the Epeira, but it soon wears out mine. And it has happened to me sometimes to collaborate with the Spider. I pick up the floating loop with a straw and lay it on a branch, at a convenient height. The foot-bridge erected with my assistance is considered satisfactory, just as though the wind had placed it. I count this collaboration among the good actions standing to my credit.

Feeling her thread fixed, the Epeira runs along it repeatedly, from end to end, adding a fibre to it on each journey. Whether I help or not, this forms the suspension-cable, the main piece of the framework. I call it a cable, in spite of its extreme thinness, because of its structure. It looks as though it were single, but, at the two ends, it is seen to divide and spread, tuft-wise, into numerous constituent parts, which are the product of as many crossings. These diverging fibres, with their several contact-points, increase the steadiness of the two extremities.

The suspension-cable is incomparably stronger than the rest of the work and lasts for an indefinite time. The web is generally shattered after the night's hunting and is nearly always rewoven on the following evening. After the removal of the wreckage, it is made all over again, on the same site, cleared of everything except the cable from which the new network is to hang.

The laying of this cable is a somewhat difficult matter, because the success of the enterprise does not depend upon the animal's industry alone. It has to wait until a breeze carries the line to the pier-head in the bushes. Sometimes, a calm prevails; sometimes, the thread catches at an unsuitable point. This involves great expenditure of time, with no certainty of success. And so, when once the suspension-cable is in being, well and solidly placed, the Epeira does not change it, except on critical occasions. Every evening, she passes and repasses over it, strengthening it with fresh threads.

When the Epeira cannot manage a fall of sufficient depth to give her the double line with its loop to be fixed at a distance, she employs another method. She lets herself down and then climbs up again, as we have already seen; but, this time, the thread ends suddenly in a filmy hair-pencil, a tuft, whose parts remain disjoined, just as they come from the spinneret's rose. Then this sort of bushy fox's brush is cut short, as though with a pair of scissors, and the whole thread, when unfurled, doubles its length, which is now enough for the purpose. It is fastened by the end joined to the Spider; the other floats in the air, with its spreading tuft, which easily tangles in the bushes. Even so must the Banded Epeira go to work when she throws her daring suspension-bridge across a stream.

Once the cable is laid, in this way or in that, the Spider is in possession of a base that allows her to approach or withdraw from the leafy piers at will. From the height of the cable, the upper boundary of the projected works, she lets herself slip to a slight depth, varying the points of her fall. She climbs up again by the line produced by her descent. The result of the operation is a double thread which is unwound while the Spider walks along her big foot-bridge to the contact-branch, where she fixes the free end of her thread more or less low down. In this way, she obtains, to right and left, a few slanting cross-bars, connecting the cable with the branches.

These cross-bars, in their turn, support others in ever-changing directions. When there are enough of them, the Epeira need no longer resort to falls in order to extract her threads; she goes from one cord to the next, always wire-drawing with her hind-legs and placing her produce in position as she goes. This results in a combination of straight lines owning no order, save that they are kept in one, nearly perpendicular plane. They mark a very irregular polygonal area, wherein the web, itself a work of magnificent regularity, shall presently be woven.

It is unnecessary to go over the construction of the masterpiece again; the younger Spiders have taught us enough in this respect. In both cases, we see the same equidistant radii laid, with a central landmark for a guide; the same auxiliary spiral, the scaffolding of temporary rungs, soon doomed to disappear; the same snaring-spiral, with its maze of closely-woven coils. Let us pass on: other details call for our attention.

The laying of the snaring-spiral is an exceedingly delicate operation, because of the regularity of the work. I was bent upon knowing whether, if subjected to the din of unaccustomed sounds, the Spider would hesitate and blunder. Does she work imperturbably? Or does she need undisturbed quiet? As it is, I know that my presence and that of my light hardly trouble her at all. The sudden flashes emitted by my lantern have no power to distract her from her task. She continues to turn in the light even as she turned in the dark, neither faster nor slower. This is a good omen for the experiment which I have in view.

The first Sunday in August is the feast of the patron saint of the village, the Finding of St. Stephen. This is Tuesday, the third day of the rejoicings. There will be fireworks to-night, at nine o'clock, to conclude the merry-makings. They will take place on the high-road outside my door, at a few steps from the spot where my Spider is working. The spinstress is busy upon her great spiral at the very moment when the village big-wigs arrive with trumpet and drum and small boys carrying torches.

More interested in animal psychology than in pyrotechnical displays, I watch the Epeira's doings, lantern in hand. The hullabaloo of the crowd, the reports of the mortars, the crackle of Roman candles bursting in the sky, the hiss of the rockets, the rain of sparks, the sudden flashes of white, red or blue light: none of this disturbs the worker, who methodically turns and turns again, just as she does in the peace of ordinary evenings.

Once before, the gun which I fired under the plane-trees failed to trouble the concert of the Cicadae; to-day, the dazzling light of the fire-wheels and the splutter of the crackers do not avail to distract the Spider from her weaving. And, after all, what difference would it make to my neighbour if the world fell in! The village could be blown up with dynamite, without her losing her head for such a trifle. She would calmly go on with her web.

Let us return to the Spider manufacturing her net under the usual tranquil conditions. The great spiral has been finished, abruptly, on the confines of the resting-floor. The central cushion, a mat of ends of saved thread, is next pulled up and eaten. But, before indulging in this mouthful, which closes the proceedings, two Spiders, the only two of the order, the Banded and the Silky Epeira, have still to sign their work. A broad, white ribbon is laid, in a thick zigzag, from the centre to the lower edge of the orb. Sometimes, but not always, a second band of the same shape and of lesser length occupies the upper portion, opposite the first.

I like to look upon these odd flourishes as consolidating-gear. To begin with, the young Epeirae never use them. For the moment, heedless of the future and lavish of their silk, they remake their web nightly, even though it be none too much dilapidated and might well serve again. A brand-new snare at sunset is the rule with them. And there is little need for increased solidity when the work has to be done again on the morrow.

On the other hand, in the late autumn, the full-grown Spiders, feeling laying-time at hand, are driven to practise economy, in view of the great expenditure of silk required for the egg-bag. Owing to its large size, the net now becomes a costly work which it were well to use as long as possible, for fear of finding one's reserves exhausted when the time comes for the expensive construction of the nest. For this reason, or for others which escape me, the Banded and the Silky Epeirae think it wise to produce durable work and to strengthen their toils with a cross-ribbon. The other Epeirae, who are put to less expense in the fabrication of their maternal wallet—a mere pill—are unacquainted with the zigzag binder and, like the younger Spiders, reconstruct their web almost nightly.