StoryTitle("caps", "Dickens—Smiles and Tears") ?> SubTitle("mixed", "Part 1 of 2") ?> InitialWords(656, "Charles Dickens", "smallcaps", "nodropcap", "indent") ?> was a novelist who lived and wrote at the same time as Thackeray. He was indeed only six months younger, but he began to make a name much earlier and was known to fame while Thackeray was still a struggling artist. When they both became famous these two great writers were to some extent rivals, and those who read their books were divided into two camps. For though both are men of genius, they are men of widely differing genius.
John Dickens, the father, was a clerk with a small salary in the Navy Pay Office, and his son Charles was born in 1812 at Portsea. When Charles was about four his father was moved to Chatham, and here the little boy Charles lived until he was nine. He was a very puny little boy, and not able to join in the games of the other boys of his own age. So he spent most of his time in a small room where there were some books and where no one else besides himself cared to go. He not only read the books, but lived them, and for weeks together he would make believe to himself that he was his favorite character in whatever book he might be reading. All his life he loved acting a part and being somebody else, and at one time thought of becoming an actor.
Then when Charles was seven he went to a school taught by a young Baptist minister. It was not an PageSplit(657, "un-", "happy", "unhappy") ?> life for the "Very queer small boy" as he calls himself. There were fields in which he could play his pretending games, and there was a beautiful house called Gad's Hill near, at which he could go to look and dream that if he were very good and very clever he might some day be a fine gentleman and own that house.
When the very queer small boy was nine he and all his family moved to London. Here they lived in a mean little house in a mean little street. There were now six children, and the father had grown very poor, so instead of being sent to school Charles used to black the boots and make himself useful about the house. But he still had his books to read, and could still make believe to himself. Things grew worse and worse however, and John Dickens, who was kind and careless, got into debt deeper and deeper. Everything in the house that could be done without was sold, and one by one the precious books went. At length one day men came and took the father away to prison because he could not pay his debts.
Then began for Charles the most miserable time of his life. The poor, sickly little chap was set to work in a blacking factory. His work was to cover the pots of paste-blacking, tie them down neatly and paste on the labels. Along with two or three others boys he worked all day long for six or seven shillings a week. Oh, how the little boy hated it! He felt degraded and ashamed. He felt that he was forgotten and neglected by every one, and that never never more would he be able to read books and play pretending games, or do anything that he loved. All week he worked hard, ill clad and only half fed, and Sunday he spent with his father at the prison. It was a miserable, sordid, and pitiful beginning to life.
How long this unhappy time lasted we do not know. Dickens himself could not remember. He seldom spoke of this time, but he never forgot the misery of it. Long Page(658) ?> afterwards in one of his books called David Copperfield, when he tells of the unhappy childhood of his hero, it is of his own he speaks.
But presently John Dickens got out of prison, Charles left the blacking factory, and once more went to school. And although in after years he could never bear to think of these miserable days, at the time his spirits were not crushed, and at school he was known as a bright and jolly boy. He was always ready for any mischief, and took delight in getting up theatricals.
At fifteen Dickens left school and went into a lawyer's office, but he knew that he had learned very little at school, and now set himself to learn more. He went to the British Museum Reading-room, and studied there, and he also with a great deal of labor taught himself shorthand.
He worked hard, determined to get on, and at nineteen he found himself in the Gallery of the House of Commons as reporter for a daily paper. Since the days when Samuel Johnson reported speeches without having heard them things had changed. People were no longer content with such make-believe reporting, and Dickens proved himself one of the smartest reporters there had ever been. He not only reported the speeches, but told of everything that took place in the House. He had such a keen eye for seeing, and such a vivid way of describing what he saw, that he was able to make people realize the scenes inside the House as none had done before.
Besides reporting in the Houses of Parliament Dickens dashed about the country in post-chaises gathering news for his paper, writing by flickering candle-light while his carriage rushed along, at what seemed then the tremendous speed of fifteen miles an hour. For those were not the days of railways and motors, and traveling was much slower than it is now.
But even while Dickens was leading this hurried, busy Page(659) ?> life he found time to write other things besides newspaper reports, and little tales and sketches began to appear signed by Boz. Boz was a pet name for Dickens's youngest brother. His real name was Augustus, but he had been nicknamed Moses after Moses in the Vicar of Wakefield. Pronounced through the nose it became Boses and then Boz. That is the history of the name under which Dickens at first wrote and won his earliest fame.
The sketches by Boz were well received, but real fame came to Dickens with the Pickwick Papers which he now began to write. This story came out in monthly parts. The first few numbers were not very successful, only about four hundred copies being sold, but by the fifteenth number London was ringing with the fame of it, and forty thousand copies were quickly sold. "Judges on the bench and boys in the street, gravity and folly, the young and the old" Footnote ("Forster.") ?> all alike read it and laughed over it. Dickens above everything is a humorist, and one of the chief features in his humor is caricature, that is exaggerating and distorting one feature or habit or characteristic of a man out of all likeness to nature. This often makes very good fun, but it takes away from the truth and realness of his characters. And yet no story-teller perhaps is remembered so little for his stories and so much for his characters. In Pickwick there is hardly any story, the papers ramble on in unconnected incidents. No one could tell the story of Pickwick for there is really none to tell; it is a series of scenes which hang together anyhow. "Pickwick cannot be classed as a novel," it has been said; "it is merely a great book." Footnote ("Gissing.") ?>