"Will is not one of those who go out and return with nothing to tell. He has a story of his travels, which will strike a home- bred citizen with horror, and has in ten days suffered so often the extremes of terror and joy, that he is in doubt whether he shall ever again expose either his body or his mind to such danger and fatigue.

"When he left London the morning was bright, and a fair day was promised. But Will is born to struggle with difficulties. That happened to him, which has sometimes, perhaps, happened to others. Before he had gone more than ten miles, it began to rain. What course was to be taken? His soul disdained to turn back. He did what the King of Prussia might have done; he flapped his hat, buttoned up his cape, and went forwards, fortifying his mind by the stoical consolation, that whatever is violent will be short."

So, with such adventures, the first day passes, and reaching his inn, after a good supper, Will Marvel goes to bed and sleeps soundly. But during the night he is wakened "by a shower beating against his windows with such violence as to threaten the dissolution of nature." Thus he knows that the next day will have its troubles. "He joined himself, however, to a company that was travelling the same way, and came safely to the place of dinner, though every step of his horse dashed the mud in the air."

In the afternoon he went on alone, passing "collections of water," puddles doubtless, the depth of which it was impossible to guess, and looking back upon the ride he marvels at his rash daring. "But what a man undertakes he must perform, and Marvel hates a coward at his heart.

"Few that lie warm in their beds think what others undergo, who have, perhaps, been as tenderly educated, and have as acute sensations as themselves. My friend was now to lodge the second night almost fifty miles from home, in a house which he never had seen before, among people to whom he was totally a stranger, not knowing whether the next man he should meet would prove good or bad; but seeing an inn of a good appearance, he rode resolutely into the yard; and knowing that respect is often paid in proportion as it is claimed, delivered his injunctions to the ostler with spirit, and, entering the house, called vigorously about him.

"On the third day up rose the sun and Mr. Marvel. His troubles and dangers were now such as he wishes no other man ever to encounter." The way was lonely, often for two miles together he met not a single soul with whom he could speak, and, looking at the bleak fields and naked trees, he wished himself safe home again. His only consolation was that he suffered these terrors of the way alone. Had, for instance, his friend the "Idler" been there he could have done nothing but lie down and die.

"At last the sun set and all the horrors of darkness came upon him. . . . Yet he went forward along a path which he could no longer see, sometimes rushing suddenly into water, and sometimes encumbered with stiff clay, ignorant whither he was going, and uncertain whether his next step might not be the last.

"In this dismal gloom of nocturnal peregrination his horse unexpectedly stood still. Marvel had heard many relations of the instinct of horses, and was in doubt what danger might be at hand. Sometimes he fancied that he was on the bank of a river still and deep, and sometimes that a dead body lay across the track. He sat still awhile to recollect his thoughts; and as he was about to alight and explore the darkness, out stepped a man with a lantern, and opened the turnpike. He hired a guide to the town, arrived in safety, and slept in quiet.

"The rest of his journey was nothing but danger. He climbed and descended precipices on which vulgar mortals tremble to look; he passed marshes like the Serbonian bog, where armies whole have sunk; he forded rivers where the current roared like the Egre or the Severn; or ventured himself on bridges that trembled under him, from which he looked down on foaming whirlpools, or dreadful abysses; he wandered over houseless heaths, amidst all the rage of the elements, with the snow driving in his face, and the tempest howling in his ears.

"Such are the colours in which Marvel paints his adventures. He has accustomed himself to sounding words and hyperbolical images, till he has lost the power of true description. In a road, through which the heaviest carriages pass without difficulty, and the post-boy every day and night goes and returns, he meets with hardships like those which are endured in Siberian deserts, and missed nothing of romantic danger but a giant and a dragon. When his dreadful story is told in proper terms, it is only that the way was dirty in winter, and that he experienced the common vicissitudes of rain and sunshine."

I am afraid you will find a good many "too big" words in that. But if I changed them to others more simple you would get no idea of the way in which Johnson wrote, and I hope those you do not understand you will look up in the dictionary. It will not be Johnson's own dictionary, however, for that has grown old- fashioned, and its place has been taken by later ones. For some of Johnson's meanings were not correct, and when these mistakes were pointed out to him he was not in the least ashamed. Once a lady asked him how he came to say that the pastern was the knee of a horse, and he calmly replied, "Ignorance, madam, pure ignorance." "Dictionaries are like watches," he said, "the worst is better than none, and the best cannot be expected to go quite true."

With some words, instead of giving the original meaning, he gave a personal meaning, that is he allowed his own sense of humor, feelings or politics, to color the meaning. For instance, he disliked the Scots, so for the meaning of Oats he gave, "A grain which in England is generally given to horses, but in Scotland supports the people." He disliked the Excise duty, so he called it "A hateful tax levied by wretches hired by those to whom excise is paid." For this last meaning he came very near being punished for libel.

When Johnson thought of beginning the dictionary he wrote about it to Lord Chesterfield, a great man and fine gentleman of the day. As the fashion was, Johnson had chosen this great man for his patron. But Lord Chesterfield, although his vanity was flattered at the idea of having a book dedicated to him, was too delicate a fine gentleman to wish to have anything to do with a man he considered poor. "He throws anywhere but down his throat," he said, "whatever he means to drink, and mangles what he means to carve. . . . The utmost I can do for him is to consider him a respectable Hottentot." So, when Johnson had called several times and been told that his lordship was not at home, or had been kept waiting for hours before he was received, he grew angry, and marched away never to return, vowing that he had done with patrons for ever.

The years went on, and Johnson saw nothing of his patron. When, however, the dictionary was nearly done, Lord Chesterfield let it be known that he would be pleased to have it dedicated to him. But Johnson would have none of it. He wrote a letter which was the "Blast of Doom, proclaiming into the ear of Lord Chesterfield, and, through him, of the listening world, that patronage would be no more!"

"Seven years, my Lord, have now passed," wrote Johnson, "since I waited in your outward rooms and was repulsed from your door; during which time I have been pushing on my work through difficulties of which it is useless to complain, and have brought it at last to the verge of publication without one act of assistance, one word of encouragement, and one smile of favour. Such treatment I did not expect, for I never had a patron before. . . .

"Is not a patron, my Lord, one who looks with unconcern on a man struggling for life in the water, and when he has reached the ground cumbers him with help? The notice which you have been pleased to take of my labours, had it been early, had been kind; but it has been delayed till I am indifferent, and cannot enjoy it; till I am solitary, and cannot impart it; till I am known, and do not want it."

There was an end of patronage so far as Johnson was concerned, and it was the beginning of the end of it with others. Great Sam had roared, he had asserted himself, and with the publication of his dictionary he became "The Great Cham of literature."

He had by this time founded a club of literary men which met at "a famous beef-steak house," and here he lorded it over his fellows as his bulky namesake had done more than a hundred years before. In many ways there was a great likeness between these two. They were both big and stout (for Sam was now stout). They were loud-voiced and dictatorial. They both drank a great deal, but Ben, alas, drank wine overmuch, as was common in his day, while Sam drank endless cups of tea, seventeen or eighteen it might be at a sitting, indeed he called himself a hardened and shameless tea-drinker. But, above all, their likeness lies in the fact that they both dominated the literary men of their period; they were kings and rulers. They laid down the law and settled who was great and who little among the writers of the day. And it was not merely the friends around Johnson who heard him talk, who listened to his judgments about books and writers. The world outside listened, too, to what he had to say, and you will remember that it was he who utterly condemned Macpherson's pretended poems of Ossian, "that pious three-quarters fraud" of which you have already read in chapter IV.

Johnson had always spent much of his time in taverns, and was now more than ever free to do so. For while he was still working at his dictionary he suffered a great grief in the death of his wife. He had loved her truly and never ceased to mourn her loss. But though he had lost his wife, he did not remain solitary in his home, for he opened his doors to a queer collection of waifs and strays—three women and a man, upon whom he took pity because no one else would. They were ungrateful and undeserving, and quarreled constantly among themselves, so that his home could have been no peaceful spot. "Williams hates everybody," he writes; "Levett hates Desmoulins and does not love Williams; Desmoulins hates them both; Poll loves none of them." It does not sound peaceful or happy.