StoryTitle("caps", "The Man without a Country, Part II") ?> SubTitle("mixed", "Part 3 of 3") ?>
That story shows about the time when Nolan's braggadocio must Page(45) ?> have broken down. At first, they said, he took a very high tone, considered his imprisonment a mere farce, affected to enjoy the voyage, and all that; but Phillips said that after he came out of his state-room he never was the same man again. He never read aloud again, unless it was the Bible or Shakespeare, or something else he was sure of. But it was not that merely. He never entered in with the other young men exactly as a companion again. He was always shy afterwards, when I knew him,—very seldom spoke, unless he was spoken to, except to a very few friends. He lighted up occasionally,—I PageSplit(46, "re-", "member", "remember") ?> late in his life hearing him fairly eloquent on something which had been suggested to him by one of Fléchier's sermons,—but generally he had the nervous, tired look of a heart-wounded man.
When Captain Shaw was coming home,—if, as I say, it was Shaw,—rather to the surprise of every body they made one of the Windward Islands, and lay off and on for nearly a week. The boys said the officers were sick of salt-junk, and meant to have turtle-soup before they came home. But after several days the Warren came to the same rendezvous; they exchanged signals; she sent to Phillips and these Page(47) ?> homeward-bound men letters and papers, and told them she was outward-bound, perhaps to the Mediterranean, and took poor Nolan and his traps on the boat back to try his second cruise. He looked very blank when he was told to get ready to join her. He had known enough of the signs of the sky to know that till that moment he was going "home." But this was a distinct evidence of something he had not thought of, perhaps,—that there was no going home for him, even to a prison. And this was the first of some twenty such transfers, which brought him sooner or later into half our best vessels, but Page(48) ?> which kept him all his life at least some hundred miles from the country he had hoped he might never hear of again.
It may have been on that second cruise,—it was once when he was up the Mediterranean,—that Mrs. Graff, the celebrated Southern beauty of those days, danced with him. They had been lying a long time in the Bay of Naples, and the officers were very intimate in the English fleet, and there had been great festivities, and our men thought they must give a great ball on board the ship. How they ever did it on board the "Warren" I am sure I do not know. Perhaps it Page(49) ?> was not the "Warren," or perhaps ladies did not take up so much room as they do now. They wanted to use Nolan's state-room for something, and they hated to do it without asking him to the ball; so the captain said they might ask him, if they would be responsible that he did not talk with the wrong people, "who would give him intelligence." So the dance went on, the finest party that had ever been known, I dare say; for I never heard of a man-of-war ball that was not. For ladies they had the family of the American consul, one or two travellers who had adventured so far, and a nice bevy of Page(50) ?> English girls and matrons, perhaps Lady Hamilton herself.
DisplayImagewithCaption("text", "zpage046", "Well, different officers relieved each other in standing and talking with Nolan in a friendly way, so as to be sure that nobody else spoke to him. The dancing went on with spirit, and after a while even the fellows who took this honorary guard of Nolan ceased to fear any contretemps. Only when some English lady—Lady Hamilton, as I said, perhaps—called for a set of "American dances," an odd thing happened. Everybody then danced contra-dances. The black band, nothing loath, conferred as to what "American dances" were, and Page(51) ?> started off with a "Virginia Reel," which they followed with "Money-Musk," which, in its turn in those days, should have been followed by "The Old Thirteen." But just as Dick, the leader, tapped for his fiddles to begin, and bent forward, about to say, in true negro state, "'The Old Thirteen, gentlemen and ladies!" as he had said "'Virginny Reel,' if you please!" and "'Money-Musk,' if you please!" the captain's boy tapped him on the shoulder, whispered to him, and he did not announce the name of the dance; he merely bowed, began on the air, and they all fell to,—the officers teaching the English girls Page(52) ?> the figure, but not telling them why it had no name.
But that is not the story I started to tell.—As the dancing went on, Nolan and our fellows all got at ease, as I said,—so much so, that it seemed quite natural for him to bow to that splendid Mrs. Graff, and say,—
"I hope you have not forgotten me, Miss Rutledge. Shall I have the honor of dancing?"
He did it so quickly, that Page(53) ?> Fellows, who was by him, could not hinder him. She laughed and said,—
"I am not Miss Rutledge any longer, Mr. Nolan; but I will dance all the same," just nodded to Fellows, as if to say he must leave Mr. Nolan to her, and led him off to the place where the dance was forming.
Nolan thought he had got his chance. He had known her at Philadelphia, and at other places had met her, and this was a Godsend. You could not talk in contra-dances, as you do in cotillons, or even in the pauses of waltzing; but there were chances for tongues and sounds, as well as for eyes and blushes. He began with her travels, and Europe, and Vesuvius, and the French; and then, when they had worked down, and had that long talking-time at the bottom of the Page(54) ?> set, he said, boldly,—a little pale, she said, as she told me the story, years after,—
"And what do you hear from home, Mrs. Graff?"
And that splendid creature looked through him. Jove! how she must have looked through him!
"Home!! Mr. Nolan!!! I thought you were the man who never wanted to hear of home again!"—and she walked directly up the deck to her husband, and left poor Nolan alone, as he always was.—He did not dance again.
DisplayImagewithCaption("text", "zpage054", "I cannot give any history of him in order; nobody can now; and, indeed, I am not trying to.