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Brushwork
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Plate I
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Plate II
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Plate III
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Plate IV
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Plate V
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Plate VI
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Plate VII
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Plate VIII
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Plate IX
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Plate X
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Plate XI
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Plate XII
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Plate XIII
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Plate XIV
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Plate XV
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Plate XVI
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Plate XVII
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Plate XVIII
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Plate XIX
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Plate XX
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Brushwork
To learn Brushwork is to learn to draw with a brush
instead of a pencil—in mass instead of in outline. It has
been found that children like this method, and find it
easy: proportions are more readily grasped, faults are
more easily seen in the filled surface, while even the
work of a beginner often shows the grace and the spirit of
the model. In its first stages Brushwork aims (1) at
mastery of the brush; (2) at the use of the brush to
draw with. In its later stages it teaches the expression of
solid form by means of light and shade, and simple
colouring—the beginnings of water-colour painting. Its
chief object is to teach bold, simple work; it deals
with general effect rather than detail; it is suggestive
rather than exact. Much must be left out in using this
method, but a wise "leaving out" is one of the secrets of
an artist. The pupil is taught to look for the broad
effects that mark the modelling, disregarding, for the
time, small changes of surface and colour. When the power
of doing this has been obtained, a great step has been
made, and the pupil will be ready to attack more serious
work.
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