Gateway to the Classics: The Fall of the Year by Dallas Lore Sharp
 
The Fall of the Year by  Dallas Lore Sharp

The Clock Strikes One

"The clock strikes one,

And all is still around the house!

But in the gloom

A little mouse

Goes creepy-creep from room to room."

dropcap image HE clock of the year strikes one! — not in the dark silent night of winter, but in the hot light of midsummer.

It is a burning July day,—one o'clock in the afternoon of the year,—and all is still around the fields and woods. All is still. All is hushed. But yet, as I listen, I hear things in the dried grass, and in the leaves overhead, going "creepy-creep," as you have heard the little mouse in the silent night.

I am lying on a bed of grass in the shade of a great oak tree, as the clock of the year strikes one. I am all alone in the quiet of the hot, hushed day. Alone? Are you alone in the big upstairs at midnight, when you hear the little mouse going "creepy-creep" from room to room? No; and I am not alone.

High overhead the clouds are drifting past; and between them, far away, is the blue of the sky—and how blue, how cool, how far, far away! But how near and warm seems the earth!

I lie outstretched upon it, feeling the burnt crisp grass beneath me, a beetle creeping under my shoulder, the heat of a big stone against my side. I throw out my hands, push my fingers into the hot soil, and try to take hold of the big earth as if I were a child clinging to my mother.

And so I am. But I am not frightened, as I used to be, when the little mouse went "creepy-creep," and my real mother brought a candle to scare the mouse away. It is because I am growing old? But I cannot grow old to my mother. And the earth is my mother, my second mother. The beetle moving under my shoulder is one of my brothers; the hot stone by my side is another of my brothers; the big oak tree over me is another of my brothers; and so are the clouds, the white clouds drifting, drifting, drifting, so far away yonder, through the blue, blue sky.

The clock of the year strikes one. The summer sun is overhead. The flood-tide of summer life has come. It is the noon hour of the year.

The drowsy silence of the full, hot noon lies deep across the field. Stream and cattle and pasture-slope are quiet in repose. The eyes of the earth are heavy. The air is asleep. Yet the round shadow of my oak begins to shift. The cattle do not move; the pasture still sleeps under the wide, white glare.

But already the noon is passing—to-day I see the signs of coming autumn everywhere.

Of the four seasons of the year summer is the shortest, and the one we are least acquainted with. Summer is hardly a pause between spring and autumn, simply the hour of the year's noon.

We can be glad with the spring, sad with the autumn, eager with the winter; but it is hard for us to go softly, to pause and to be still with the summer; to rest on our wings a little like the broad-winged hawk yonder, far up in the wide sky.

But now the hawk is not still. The shadow of my oak begins to lengthen. The hour is gone; and, wavering softly down the languid air, falls a yellow leaf from a slender birch near by. I remember, too, that on my way through the woodlot I frightened a small flock of robins from a pine; and more than a week ago the swallows were gathering upon the telegraph wires. So quickly summer passes. It was springtime but yesterday, it seems; to-day the autumn is here.

It is a July day. At dawn the birds were singing, fresh and full-throated almost as in spring. Then the sun burned through the mist, and the chorus ceased. Now I do not hear even the chewink and the talkative vireo. Only the fiery notes of the scarlet tanager come to me through the dry white heat of the noon, and the resonant song of the indigo bunting—a hot, metallic, quivering song, as out of a "hot and copper sky."

There are nestlings still in the woods. This indigo bunting has eggs or young in the bushes of the hillside; the scarlet tanager by some accident has but lately finished his nest in the tall oaks. I looked in upon some half-fledged cuckoos along the fence. But all of these are late. Most of the year's young are upon the wing.

A few of the spring's flowers are still opening. I noticed the bees upon some tardy raspberry blossoms; here and there is a stray dandelion. But these are late. The season's fruit has already set, is already ripening. Spring is gone; the sun is overhead; the red wood-lily is open. To-day is the noon of the year.

High noon! and the red wood-lily is aflame in the old fields, and in the low tangles of sweet-fern and blackberry that border the upland woods.

The wood-lily is the flower of fire. How impossible it would be to kindle a wood-lily on the cold, damp soil of April! It can be lighted only on this kiln-dried soil of July. This old hilly pasture is baking in the sun; the low mouldy moss that creeps over its thin breast crackles and crumbles under my feet; the patches of sweet-fern that blotch it here and there crisp in the heat and fill the smothered air with their spicy breath; while the wood-lily opens wide and full, lifting its spotted lips to the sun for his scorching kiss. See it glow! Should the withered thicket burst suddenly into a blaze, it would be no wonder, so hot and fiery seem the petals of this flower of the sun.

How unlike the tender, delicate fragrant flowers of spring are these strong flowers of the coming fall! They make a high bank along the stream—milkweed, boneset, peppermint, turtle-head, joe-pye-weed, jewel-weed, smartweed, and budding goldenrod! Life has grown lusty and lazy and rank.

But life has to grow lusty and rank, for the winter is coming; and as the woodchucks are eating and eating, enough to last them until spring comes again, so the plants are storing fat in their tap-roots, and ripening millions of seeds, to carry them safely through the long dead months of winter.

The autumn is the great planting time out of doors. Every autumn wind is a sower going forth to sow. And he must have seeds and to spare—seeds for the waysides for the winter birds to eat, seeds for the stony places where there is no depth of soil for them, seeds for the ploughed fields where they are not allowed to grow, seeds for every nook and corner, in order that somewhere each plant may find a place to live, and so continue its kind from year to year.

Look at the seeds of the boneset, joe-pye-weed, milkweed, and goldenrod! Seeds with wings and plumes and parachutes that go floating and flying and ballooning.

"Over the fields where the daisies grow,

Over the flushing clover,

A host of the tiniest fairies go—

Dancing, balancing to and fro,

Rolling and tumbling over.


"Quivering, balancing, drifting by,

Floating in sun and shadow—

Maybe the souls of the flowers that die

Wander, like this, to the summer sky

Over a happy meadow."

—From "Thistledown" by Charles Buxton Going

So they do. They wander away to the sky, but they come down again to the meadow to make it happy next summer with new flowers; for these are the seed-souls of thistles and daisies and fall dandelions seeking new bodies for themselves in the warm soil of Mother Earth.

Mother Earth! How tender and warm and abundant she is! As I lie here under the oak, a child in her arms, I see the thistle-down go floating by, and on the same laggard breeze comes up from the maple swamp the odor of the sweet pepper-bush. A little flock of chickadees stop in the white birches and quiz me. "Who are you?"  "Who are you-you-you?" they ask, dropping down closer and closer to get a peek into my face.

Perhaps they don't know who I am. Perhaps I don't know who they are. They are not fish hawks, of course; but neither am I an alligator or a pumpkin, as the chickadees surely know. This much I am quite sure of, however: that this little flock is a family—a family of young chickadees and their two parents, it may be, who are out seeing the world together, and who will stay together far into the cold coming winter.

They are one of the first signs of the autumn to me, and one of my surest, sweetest comforts as the bleak cold winds come down from the north. For the winds will not drive my chickadees away, no matter how cold and how hard they blow, no matter how dark and how dead the winter woods when, in the night of the year, the clock strikes twelve.

The clock to-day strikes one, and all is still with drowsy sleep out of doors. The big yellow butterflies, like falling leaves, are flitting through the woods; the thistledown is floating, floating past; and in the sleepy air I see the shimmering of the spiders' silky balloons, as the tiny aeronauts sail over on their strange voyages through the sky.

How easy to climb into one of their baskets, and in the fairy craft drift far, far away! How pleasant, too, if only the noon of the year would last and last; if only the warm sun would shine and shine; if only the soft sleepy winds would sleep and sleep; if only we had nothing to do but drift and drift and drift!

But we have a great deal to do, and we can't get any of it done by drifting. Nor can we get it done by lying, as I am lying, outstretched upon the warm earth this July day. Already the sun has passed overhead; already the cattle are up and grazing; already the round shadow of the oak tree begins to lie long across the slope. The noon hour is spent. I hear the quivering click-clack of a mowing-machine in a distant hay field. The work of the day goes on. My hour of rest is almost over, my summer vacation is nearly done. Work begins again to-morrow.

But I am ready for it. I have rested outstretched upon the warm earth. I have breathed the sweet air of the woods. I have felt the warm life-giving sun upon my face. I have been a child of the earth. I have been a brother to the stone and the bird and the beetle. And now I am strong to do my work, no matter what it is.


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